AmbroseAggregator

November 04, 2019

Vimeo

Munter S Thomson - Show 'em da Basses

RAVE HERO: THE ULTIMATE DOOF EXPERIENCE!!!

■ Join rave champion Munter S Thomson in the world's first authentic raving simulation game!

■ Challenge your friends: Can YOU get the high score?

■ Experience the excitement of competitive raving on your PC, console or portable device with RAVE HERO!

System Requirements:
RAVE HERO uses HFR technology and requires a refresh rate of 50fps at a resolution of 1920x1080 for the optimum gameplay experience. If frame dropping or lag occurs, please select 1280x720 in the graphics settings. Lower resolutions will result in lower frame rates which will impact gameplay.

Music from the album "WASTE" by Munter S Thomson:
namshubofenki.bandcamp.com/album/waste

Cast: Adam Raboczi

Tags: music, video game, rave, music video, the nam shub of enki and monster zoku onsomb

November 04, 2019 05:16 AM

The Evil Zed

Web promo for 4ZZZ fundraiser "The Evil Zed" 1/11/2019

Zombie art by Ivan Kenny-Sumiga
Music: GIL - Swallow Ash (remixed with Deadites)
Animation and audio mix by Adam Raboczi

Cast: Adam Raboczi

November 04, 2019 05:12 AM

October 31, 2019

LibraryThing

October 25, 2019

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October 17, 2019

Vimeo

BlackLung - NXIVM I

A generative adversarial network (GAN) is a class of machine learning systems invented by Ian Goodfellow and his colleagues in 2014. Two neural networks contest with each other in a game (in the sense of game theory, often but not always in the form of a zero-sum game). Given a training set, this technique learns to generate new data with the same statistics as the training set. For example, a GAN trained on photographs can generate new photographs that look authentic to human observers, having many realistic characteristics.

Concerns have been raised about the potential use of GAN-based human image, e.g., to produce fake and/or incriminating photographs and videos. GANs can be used to generate unique, realistic profile photos of people who do not exist, in order to automate creation of fake social media profiles. As of May 2019, the state of California is considering a bill that would ban the use of GANs and related technologies to make fake pornography without the consent of the people depicted. DARPA's Media Forensics program studies ways to counteract fake media, including fake media produced using GANs.

Audio: Black Lung, “NXIVM I”

From the album "NXIVM" ant-zen 2019.

ant-zen.bandcamp.com/album/nxivm

Cast: Richard Grant

October 17, 2019 04:53 AM

October 11, 2019

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September 10, 2019

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September 05, 2019

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August 30, 2019

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August 20, 2019

Vimeo

August 16, 2019

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August 06, 2019

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July 31, 2019

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July 26, 2019

Vimeo

JM_DC_01_AE

Grabbed some soundbites and audio fx from the Dirty Computer movie….Made a music track out of it.

Filmed an old broken laptop on a turntable in my garage.

Drank too much coffee worked on this at 2am for a few nights.

Mostly Premiere with a few AE crash scales wipes.

Play loud and in the dark… make sure the speakers are working!!!

Cast: Richard Grant

July 26, 2019 01:55 PM

July 03, 2019

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July 02, 2019

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May 29, 2019

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May 24, 2019

Vimeo

Black Lung - The Crown Family Theme

In April of 2018, David Thrussell, along with several other artists, was invited by neuroscientist Yukiyasu Kamitachi of Tokyo University to take part in a groundbreaking experiment. A thought-decoding research program they had developed, dubbed "deep image reconstruction", used a reconstruction algorithm capable of “decoding” a “hierarchy” of complex visual information from human brain activity, such as colors and shapes. The team’s algorithm optimized the pixels of the Thrussell's thought patterns whilst he was asleep, in combination with a multiple-layered deep neural network (DNN), that simulates the same processes that occurs when a human brain perceives an image, so that the final image output comes close to resembling Thrussell's actual dreams.

Thrussell began by consuming 2 tbs of organic Apple Cider Vinegar which aids in the production of acetylcholine, a neurotransmitter, which is a chemical that carries messages between brain cells. Most dreams occur during rapid eye movement, or REM, sleep, when acetylcholine levels are high, as they also are during alert wakefulness.

The team used fMRI (functional magnetic resonance imaging) technology to gather brain activity data from Thrussell as he entered the various stages of sleep. This raw data was then filtered through a deep neural network so that the decoding process would occur in a way that more closely matched what happens in the human brain when it perceives something.

“We believe that a deep neural network is good proxy for the brain’s hierarchical processing,” said Kamitachi. “By using a DNN we can extract information from different levels of the brain’s visual system.”

This filtered data then acts as a template of sorts. The team then used a “decoder” — which is trained on fMRI data taken while Thrussell was dreaming — to repeatedly refine the decoded information further in hundreds of calculated passes, so that the video will come closer to the original, pixel by pixel.

To create more realistic-looking images, the results were further enhanced with a deep generator network (DGN), an algorithm that better captures common dominant features (such as eyes, faces and textural patterns), which will then offer visual clues to what that particular object might be.

Using systems of attenuated encephologram feedback, the team also had great success with its objectives of mood enhancement and recalibration - at times being able 'play' the test subject's emotional state much like the 'Penfield Mood Organ' of notable speculative-fiction writer Philip K. Dick.

Thrussell recalled that during the NREM stage of his sleep his experiences of hypnagogic hallucinations included those of a "light tunnel" and "falling through colour". The REM stage was described as "colourless geometry... no doubt I was thinking about the research lab and my immediate surroundings". Thrussell described his sleep overall as "mostly peaceful" with dreams of "swimming in a colourful place with my family" but that he had later felt "slightly uneasy... a mild sense of omnipresent dread and captivity."

Raw video footage courtesy of Tokyo University, edited by Richard Grant.
Additional video footage courtesy of Kaplan Institute of Technology.

Audio: Black Lung, "The Crown Family Theme"

From the album "The Great Manipulator" Metropolis Records 2019.

metropolisrecords.bandcamp.com/album/the-great-manipulator

Cast: Richard Grant

May 24, 2019 03:42 AM

May 17, 2019

LibraryThing

May 11, 2019

Vimeo

Comuna Under Construction

A film by Dario Azzellini & Oliver Ressler
94 min., 2010

“We have to decide for ourselves what we want. We are the ones who know about our needs and what is happening in our community”, Omayra Peréz explains confidently. She wants to convince her community, located on the hillside of the poor districts of Caracas, to found a Consejo Comunal (community council). In more than 30.000 Consejos Comunales the Venezuelan inhabitants decide on their concerns collectively via assemblies. Omayra is supported by the activists of the nearby shantytown “Emiliano Hernández”, which has had a Consejo Comunal for three years already. The inhabitants there managed to get a doctor from the governmental program “Barrio Adentro”, who treats everyone free of charge. They also got money to renovate their houses and replaced over a dozen of corrugated-iron huts by new houses. All of these activities and a lot more have been organized via the Consejo Comunal. By local self-organization several working groups have been established on self-selected topics and decisions are made in assemblies.

Several Consejos Comunales can form a Comuna and finally a communal town. The film “Comuna Under Construction” follows these developments throughout the hillside of the shantytowns of Caracas and the vast and wet plains of Barinas in the countryside. The councils are built from below and alongside the existing institutions and are supposed to overcome the existing state through self-government. In a constituent assembly for the construction of the communal town “Antonio José de Sucre” Ramon Virigay from the independent peasant’s organization Frente Nacional Campesino Ezequiel Zamora (FNCEZ) reminds the delegates of the participating Consejos Comunales: “Even if we definitely need the government agencies at the moment, we have to be independent tomorrow due to our development. We cannot depend solely on the state forever.” For this reason the councils are to establish own structures of production and distribution in order to achieve autonomy.

The assemblies are a central element of the film “Comuna Under Construction”. The film starts off in the well organized Consejo Comunal Emiliano Hernández located in one of the shantytowns of Caracas. It then shows the intentions of forming Comunas and a communal town in rural Barinas and ends in Petare, a gigantic shantytown of the agglomeration of Caracas where there are 29 Consejos Comunales intending to build the Comuna of Maca.
Is it even possible to bring together state and autonomy at all? Every one of the Consejos Comunales spokes-persons has positive as well as negative experiences with the institutions in store to talk about. In an assembly in Petare the grass-roots activist Yusmeli Patiño blames a high government representative: “We are losing our credibility because of the incompetence of the state institutions”. But there are also members of the institutions who make a big effort to accompany the basis in making its own decisions. Relations between the grass roots and the institutions are marked by cooperation as well as conflict. But the Consejos Comunales also have internal difficulties; participation has to be learned.
Both progress and setback mark the difficult process of people actually taking the power of deciding on their own lives and environment by themselves.

Original Spanish version with German and English subtitles available.

Concept, film editing, production: Dario Azzellini & Oliver Ressler
Camera: Volkmar Geiblinger, Oliver Ressler
Sound, sound editing, supervisory editor: Rudi Gottsberger
Production assistant: Adriana Rivas
Image editing: Markus Koessl, David Grohe

Grants: Bundesministerium für Unterricht, Kunst und Kultur; Kulturabteilung der Stadt Wien; Stiftung Umverteilen; Rosa Luxemburg Stiftung; Solifond der Hans Böckler Stiftung; Fraktion die Linke im EU-Parlament; Bundestagsfraktion die Linke; Netzwerk e.V.

Information & contact: azzellini.net | ressler.at
Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Austria License

Cast: Oliver Ressler

Tags: community council, Consejos Comunales, Caracas, Venezuela, shantytown, Barrio Adentro, self-organization, Comuna, communal town, Barinas, assemblies, Petare, spokes-person, grass-roots activism and participation

May 11, 2019 06:25 AM

May 07, 2019

Vimeo

Bashed and left for dead; the Minh Duong story.

In the video, Adrian, my Angel, is the man wearing the blue shirt.

In June 2012, I was an international student studying for my Bachelor of Accounting degree when I was the victim of a vicious, unprovoked, racial attack by three members of a Neo Nazi group in Melbourne.

On my way home from work one night, I was savagely kicked, punched and stabbed before being bashed with a brick with such force that the brick broke in two and I was left to die in the gutter. I was the victim of the worst that Australian society has to offer.

I was in a critical condition when I was found lying in a pool of blood and taken to hospital. Adrian heard of my attack on the news and felt he needed to do something to help. As a musician and a music teacher he has a great belief in the power of music to help in the healing process and he contacted me to offer free music lessons in an effort to bring some hope and positive healing through music.

Slowly beginning to recover, I accepted that offer but found it very difficult to trust anyone and felt that everyone was dangerous. I learned, with the help of Adrian, to find that trust again through music.

Adrian began helping to pay some of my medical bills and then we applied for our motor cycle licences together. When I passed the test Adrian bought me a motorised scooter so I no longer needed to rely on public transport.

Understandably my confidence had been shattered by the attack so far from the comfort of home and, having missed a lot of lessons, I wanted to abandon my studies and return home to the safety of my family. Adrian encouraged me to continue with my studies and helped me to organise a trip home to Vietnam to visit my mother for the first time in over five years. At the airport however they were confronted by the immigration officials who claimed my student visa had expired and I was told to leave Australia and not return. I was distraught at the thought of not being able to return to complete my studies and Adrian made me a promise that he would find a way to bring me back into the country.

Adrian then began a twelve week battle with the Department of Immigration and brought together a group of people who worked tirelessly on my behalf. He enlisted the help of Australian barrister Julian Burnside who supported my case on national television and top lawyer David Bongiorno who offered pro bono representation, worked relentlessly and liaised with the Immigration Minister’s office and officials in Ho Chi Minh.

Adrian, meanwhile, organised a petition supporting my return to Australia and, through his own personal efforts and social media, he gathered 89,740 signatures. This petition was presented to the Minister for Immigration, Scott Morrison, who responded personally to the case.

I was granted a new visa and on 1st March 2014 and returned to Australia to begin the final year of my degree.

But this wasn’t the end for Adrian. He felt so passionately about the need to raise awareness of racism in Australia that he began to organise and create a musical production showcasing my journey in Australia, through expressions of music, storytelling and dance that explored the negative and positive battles of my experience.

The production, ‘We are Australia – The Minh Duong Story,’ touched on racism, hope and community and the voluntary cast of professional performers that Adrian drew together played to sell out audiences on three successive nights. The proceeds from the shows went to help with my outstanding dental bill of $25,000 – I had never received any compensation for the attack.

Adrian De Luca saw an injustice and simply wanted to help a young man in any way he could. What he ultimately did though was to restore the shattered confidence of a young man far from family, help him gain back a trust in humanity and create a family for him here in Australia. He brought to the fore not only the negative aspects of racism and hatred in Australia but also the much more positive side of our society – empathy, compassion, community spirit, resilience, optimism and hope.

Adrian has proved that one person can make a difference and has become an inspiration to all who know him.

I was sad, depressed and had no hope in life then Adrian, my angel, came along.

Cast: Minh Tuan Duong

Tags: violence, immigration, angel, julian burnside, nazi, david bongiorno, graduation, scott morrison, music, racism and hope

May 07, 2019 01:01 PM

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April 29, 2019

Vimeo

April 21, 2019

Vimeo

Ernie and Jess

A conversation with Ernie Tate and Jess McKenzie

Cast: Louis Proyect

April 21, 2019 09:04 AM

Jon Flanders interview

This video is about Jon Flanders interview

Cast: Louis Proyect

Tags: iMovie

April 21, 2019 08:13 AM

April 05, 2019

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March 21, 2019

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March 08, 2019

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March 07, 2019

Vimeo

February 20, 2019

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February 04, 2019

Vimeo

AP Sessions (didactic)

Recordings from a research project into visualising livecoding process: see benswift.me/livecoding/2014-09-30-ap-sessions.html to understand what it all means.

Cast: Ben Swift

Tags: livecoding

February 04, 2019 10:19 AM

February 01, 2019

Vimeo

live @ Drill Hall Gallery, 28 May 2014

My livecoding set at John Hosking's farewell. He's a great guy, and I wanted to send him out in style :)

Cast: Ben Swift

February 01, 2019 08:11 AM

live @ Collected Resonances

A (partial) recording of my set from Collected Resonances: Session 2 on 26 Aug '15. Sadly the full recording has been lost to time, but here are the last couple of minutes.

Cast: Ben Swift

Tags: livecoding

February 01, 2019 08:04 AM

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January 10, 2019

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January 03, 2019

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December 20, 2018

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November 23, 2018

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November 11, 2018

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October 31, 2018

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September 17, 2018

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